A week ago, the Curve Young Company (CYC) were busy showing sold out audiences their Game Face.
By cast member Olivia-Mae Lucia Foong
When Lucy (Pickering, Curve Comms team) asked me to write this blog, I wasn’t quite sure what to say. How to reflect back on nine months of work without boring you all?
One thing that many people have praised since seeing the show is how well the cast worked together. It makes me think back to our first rehearsals in October, meeting the new recruits and being in two groups of the younger ones and 17+. The original plan was to have two different shows for each group!
As I was in the younger group, I can tell you that we toyed with the idea of our show was going to revolve around Leicester and how it’s famous for its shoe factories along with the Olympic values too. One of my most memorable rehearsals is sitting in a circle with my group, director and facilitators with a massive sheet of paper in the middle, shouting and writing down possible names for our show. Can you guess which one we liked the most?
We began to work with the idea of verbatim theatre so over the Christmas holidays, we were all given an Olympic value to focus on and interview somebody on what it means to them. I was given ‘Respect and Friendship’ which lead me to interview two sisters about the London riots. It was very surreal for me to develop such an interview about one of the most important events of last year into a performance. Looking back, I think this is what made Game Face such a special piece to perform and so relatable to the audience. The fact that it came from real people and these were their real words.
Eventually we were all sat down and told that because both groups work and thoughts about what we wanted our production to be were so similar, our director had decided to join both groups and we had our first rehearsal together as a full company in March where we decided to call the show ‘Game Face’.
And so our rehearsals became longer, more often and several drafts of the script (written by Louise Singleton) later, we had this show in our hands to present to Leicester. It came to a shock to a lot of the audience that such young people were addressing quite difficult subjects in such a mature manner and we kept it so close to home.
As Priya mentioned (in the previous post), it’s very bittersweet that it’s all over. Going to rehearsals and seeing my company practically every day was very second nature to me and now I suddenly have all this free time.
So is this it then for the Curve Young Company? No, not at all. In fact now it’s time for you to get involved. Curve will be looking to recruit actors, musical theatre performers and physical theatre performers in workshop auditions in early September so if you are interested, ring the Ticket Office on 0116 242 2595 or email firstname.lastname@example.org